Mobile Audio Recording Service   435 275 8981   info@mars-mobile.com
 
 
 
 
  
  Can we bring our own producer?
  Of course! Our role then becomes one of 
  engineering, acting at the behest of the 
  producer, though again we may offer advice 
  from time to time if we sense a problem and if 
  in general you desire such input.
  Can we bring our own engineer?
  This is a little more of a gray area. Generally, 
  yes; but we will discourage any misuse of the 
  equipment. In this case the MARS engineer 
  becomes a “second” engineer, providing 
  technical support to your engineer and 
  producer as they use our system. (No discounts 
  apply, as our engineer is still working with you 
  on site.)
  Do you offer a Guarantee?
  Yes. Should there be any technical problems 
  during the recording, that day is free, as is the 
  replacement date that we set up. However, if 
  you are unhappy with your musical 
  performance and want to suspend the project 
  for a period, we can only help in a limited way 
  
 
  by offering a partial credit for unused hours, to 
  be applied to a later production date.
  What are your payment terms?
  1/3 down, 1/3 the day of the recording, and 1/3 
  at the time of post production. Any outstanding 
  balances must be paid before the release of 
  materials. We can accept cash, check, or credit 
  cards by way of your PayPal account.
  What about cancellations or scheduling changes?
  If you cancel or reschedule with more than 21 
  days notice, your deposit will be refunded or 
  reapplied. If you cancel or reschedule with 
  more than 7 days notice, 50% of your deposit 
  will be refunded. No deposit refunds are 
  possible with less than 7 days notice. However, 
  if we (or you) are able to find a viable 
  replacement client for that slot in our schedule, 
  80% of your deposit will be returned.
  Can we make our own small-run of CDs?
  Yes, but you may not want to. We’ve tailored 
  media and burners for the best possible sound, 
  and will be pulling the image from a jitter-free 
  master file. Ripping and reburning digital music 
 
 
  does degrade the sonic quality of the project. 
  Unlike data CDs, this can happen with music 
  CDs for a number of reasons, but mainly 
  because CD music playback is not as tightly 
  controlled for error correction and detection as 
  are data CDs.
  What about full-press runs of CDs?
  For larger runs of CDs (greater than 100), we 
  can suggest a number of high-end production 
  facilities that you can use.
  Is there anything you won’t record?
  Yes, but just a few things. We won’t work in 
  loud club environments or take MARS 
  equipment into high-risk areas. Our primary 
  specialty is acoustic music of all forms, along 
  with spoken word and special events. We are 
  not equipped for larger-scale rock/pop 
  recording.